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shopon bd
Apr 23, 2022
In PiStage
A rich intertwining of political Germany Phone Number List economy, sexuality, aesthetics, and cosmological humanism is unfolded for us in the four parts of the essay that is difficult to address in the space of a review, but I will try to point out two aspects. In particular, the author's unusual reflections on the way in which Soviet society Germany Phone Number List completely contradicts the paradigm of desire and transgression handled by Western theory, according to which resistance to capitalist alienation must be exerted by even more powerful means, are interesting. alienating, resorting to transgressive nihilism through the Germany Phone Number List dissolution of language, representation, social discipline, all social bonds, and the self. The only thing that guarantees this Germany Phone Number List nihilism of Western art and criticism, according to Chekhov, is a greater alienation and immersion in capitalist humanism. To this end, the author declares, referring above all to the Germany Phone Number List current art scene: The conceptual intensity of modern, contemporary, and conceptual art as such lies in the speculation surrounding the moment of its semantic gap. But as soon as such art dispatches that negative moment, nothing is left but theoretical genealogy, positive sociology, and Germany Phone Number List cognitive routine, conditions that are not sensual, philosophical, or conceptual, but that makes art a mere piece of cognitive capital.4 Chukhrov contrasts this inhuman drift with the Germany Phone Number List radical and iconoclastic revaluation of realism carried out by Soviet thinkers such as Mikhail Lifshitz and, furthermore, develops from that legacy an enormous Germany Phone Number List critique of the modernist and avant-garde models that contemporary theory almost unanimously compares as examples supreme of European cultural primacy. Obviously, for Chukhrov such Germany Phone Number List models are quite overrated. Another contribution of special interest in the book is its characterization of the deslibidinal drift of sexuality.
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